{"id":569,"date":"2026-09-21T16:29:19","date_gmt":"2026-09-21T16:29:19","guid":{"rendered":"https:\/\/hectormunozmusic.local\/investigacion\/nautilus-2\/"},"modified":"2026-09-24T15:36:15","modified_gmt":"2026-09-24T15:36:15","slug":"nautilus","status":"publish","type":"research","link":"https:\/\/hectormunozmusic.com\/en\/investigacion\/nautilus\/","title":{"rendered":"Nautilus"},"content":{"rendered":"<p>The research takes Jules Verne\u2019s <em>Twenty Thousand Leagues Under the Seas<\/em> as a starting point to explore how music, electronics, sound design, image, lighting and space can together build a dramaturgy that allows a story to be felt before it is explained.<\/p>\n<p>The project grew from an interest in bringing a literary work into the present without reproducing it literally. <strong>Nautilus<\/strong> seeks out the ideas, tensions and emotions that keep Verne\u2019s world relevant: exploration, isolation, the relationship between humanity and nature, technological progress, freedom and fascination with the unknown.<\/p>\n<p>The research asks how these elements can become an experience through non-verbal forms. Music and image jointly construct the narrative, shaping its development together.<\/p>\n<p>From this premise, the work explores how sound, light, projections, stage rhythm and space can take on roles usually assigned to text: introducing a world, suggesting a character, creating conflict, altering the perception of time or supporting an emotional transformation.<\/p>\n<p>One of its central challenges is to retain Verne\u2019s narrative force without becoming confined by his iconography. The aim is to create a <strong>Nautilus of its own<\/strong>, recognisable in its literary origins but developed through a contemporary sensibility and current tools for musical, visual and theatrical creation.<\/p>\n<p>The absence of words becomes a condition of the research. Rather than explaining who Nemo is, what the ocean represents or what the journey means, the project creates conditions in which these ideas can emerge from the relationship between what is heard, what is seen and what happens in space.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The research takes Jules Verne\u2019s Twenty Thousand Leagues Under the Seas as a starting point to explore how music, electronics, sound design, image, lighting and space can together build a dramaturgy that allows a story to be felt before it is explained. The project grew from an interest in bringing a literary work into the [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-569","research","type-research","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/hectormunozmusic.com\/en\/wp-json\/wp\/v2\/research\/569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hectormunozmusic.com\/en\/wp-json\/wp\/v2\/research"}],"about":[{"href":"https:\/\/hectormunozmusic.com\/en\/wp-json\/wp\/v2\/types\/research"}],"version-history":[{"count":1,"href":"https:\/\/hectormunozmusic.com\/en\/wp-json\/wp\/v2\/research\/569\/revisions"}],"predecessor-version":[{"id":749,"href":"https:\/\/hectormunozmusic.com\/en\/wp-json\/wp\/v2\/research\/569\/revisions\/749"}],"wp:attachment":[{"href":"https:\/\/hectormunozmusic.com\/en\/wp-json\/wp\/v2\/media?parent=569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}